Process Pros and Cons

    When shopping for a new press, it is important to understand the pros and cons of the three major newspaper-printing processes. Here's a quick-and-dirty checklist to get you started.

    Letterpress

    It's not likely you'll be buying a letterpress anytime soon, unless you purchase one from among the roughly 5 percent of North American newspapers still using them. Letterpresses use relief-type printing--a process that, like a hard rubber stamp, prints off raised characters using simple oil-based inks. They had their heyday between the late 1940s and the late 1960s.

    Pros:

    • There is no need to adjust ink-and-water balance, allowing fast startups.
    • Few process variables means minimal newsprint waste.
    • It is forgiving of inaccurate press settings (wide press latitude).

    Cons:

    • Letterpress produces ink mist.
    • Ink laydown is not smooth, leading to blotches, streaks and spots in solid areas (mottle).
    • Halftone images are coarse.
    • Press configurations are limited, since there was less demand for color when most letterpress presses were installed.
    • Ink sometimes bleeds through to the opposite side of a page (strikethrough).
    • Letterpress requires high paper tension, which means that paper must be relatively strong (high basis weight).

    Flexography

    Like letterpress, flexo is based on a relief plate, although the plate is softer and uses a lower impression pressure. Unlike letterpress, flexo ink is water-based. Newspaper presses can be either full flexo or "sprinkled flexo"--part flexo, part letterpress.

    Pros:

    • If set to standard densities, flexo ink does not rub off.
    • Flexo produces bright colors.
    • It also produces clean and high-contrast images (no toning).
    • It generates less newsprint waste than offset lithography.
    • It is less complex than offset.
    • It is well suited to lightweight newsprint.

    Cons:

    • Maintaining ink viscosity is critical, and flexo is relatively unforgiving of inaccurate press settings.
    • Because of this, press operators must be highly skilled.
    • The soft flexo plates wear quickly.
    • Plates and other consumables are expensive.
    • There are a limited number of plate and ink suppliers.
    • Differences in blade and roller wear can change ink densities from page to page.

    Offset Lithography

    The underlying principle of lithography is the old cliché, "Oil and water don't mix." While the image areas of the plate love the oil-based ink, the non-image areas are water-receptive and reject the ink. The image is transferred (offset) from the flat-surfaced, or planographic, plate to a rubberized blanket cylinder and then to the newspaper sheet.

    Pros:

    • Offset has by far the largest installed base at newspapers, making it the de-facto industry standard.
    • Offset ink does not mist under normal operating conditions.
    • Offset is capable of producing sharper (higher-resolution) images than flexo.
    • It has the lowest plate cost of any of the three technologies.
    • It produces smooth solids due to the offset action of the printing blanket.
    • Platemaking is fast.
    • There are many suppliers of hardware and consumables.

    Cons:

    • Offset may leave ink set-off on adjacent pages, especially process-color pages.
    • Like letterpress, offset falls prey to rub-off, though newer inks are reducing that problem.
    • Offset generates relatively high startup waste.
    • It is prone to print defects such as toning, tinting and scumming.
    • Unlike flexo, it may be difficult to maintain balanced inking across a page with inking systems based on page packs and inking columns.

    TechNews Volume 3, Number 5: September/October 1997
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